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Spolin Games Online - Improvisational Library and Training
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Gibberish – English

Gibberish – English

by Gary Schwartz | Oct 18, 2018 | Giberish, Improv Games, The Spolin Players, Verbal Agility

  Gibberish English The audience suggests who and where two players might be, while a third player/sidecoach switches them unexpectedly between English and Gibberish throughout the scene. Notes on Sidecoaching When sidecoaching Gibberish English, make sure you...
Gibberish Interpreter Relay

Gibberish Interpreter Relay

by Gary Schwartz | Oct 18, 2018 | Giberish, Improv Games, Verbal Agility

  Direct translation vs Assumed or invented meaning In many improv troupes, gibberish is used as a ‘gimmick’. The gibberish is not translated accurately, but becomes fodder for clever jokes based on attitude and gesture. Note in this video when an...
The Who Game

The Who Game

by Gary Schwartz | Oct 18, 2018 | Improv Games, Refining Awareness, The Spolin Players, The Where, Who Games

Allowing Who (relationship) to reveal itself without telling We do not want to be told who we are in this game. We want to discover it by paying attention to how our fellow player relates to us. Often this is called ‘endowment’ but too often it is done by...
Viola Spolin on Theater Games and Theater Sports

Viola Spolin on Theater Games and Theater Sports

by Gary Schwartz | Oct 18, 2018 | Improv Games, Lecture / Explanation

Viola Spolin talks about her work in a rare video interview 
Paul Sills on Viola Spolin

Paul Sills on Viola Spolin

by Gary Schwartz | Oct 18, 2018 | Improv Games, Lecture / Explanation, Viola Spolin

Paul Sills tells an anecdote about how Viola Spolin began writing her book.
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• True improvisation re-shapes and alters the student-actor through the act of improvising itself. Penetration into the focus, connection, and a live relation with fellow players result in a change, alteration, or new understanding for one or the other or both. In time, during the solving of the acting problem the student becomes aware of being acted upon and of acting, thereby creating process and change within his or her stage life. The intuition gained remains with the player in everyday life, for whenever a circuit is opened for anyone, so to speak, it is usable everywhere.

— Viola Spolin, Improvisation for the Theater

Viola Spolin is the internationally recognized originator of Theater Games – the basis of improvisational theater. Along with her son, Paul Sills, Viola Spolin created the techniques utilized by the cast of Chicago’s Second City as well as every other improvisational comedy troupe ever since.

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Gary Schwartz worked closely with Viola Spolin from 1976 – 1994, and have worked closely with members of her family during that time to the present. However, this site does not necessarily represent the views of Viola Spolin, Paul Sills and other members of her family, and has not been authorized or endorsed by them.