The Four Game Progression

How to Improve your Improv The Problem: In working to create scenes from Who, What and Where, no matter what the game is, once the players establish their who, what and where, novices and players who come from the ‘story’ approach  to improv, invariably...

Playing Creates Community

  In our ever more complex and technological era, true person to person interaction is lost as we interact with each other via technology instead. (witness this blog) The technological revolution has brought us closer in one respect, but the need to interact in a...
The Story Trap

The Story Trap

Pointer # 9 – The energy released in solving the problem, flowing through the Where, Who, and What, forms the scene. Taken from “Improvisation for the Theater” by Viola Spolin; 3rd Edition, Northwestern University Press. I believe creating story...

The Layers of the Onion

Silent Tension without Who, What and Where* It had been maybe two years of Wednesday afternoon workshops with Viola before we did an exercise called Silent Tension without Who, What and Where. “I don’t do this one right away.” she said to us....
The Power of Play and the Need for Playing

The Power of Play and the Need for Playing

Play creates happy emotional condition of the organism-as-a-whole. Play involves social values, as does no other behavior. The spirit of play develops social adaptability, ethics, mental and emotional control, and imagination. These are the more complex adjustments a...